Great beauty. I see It from my window on some days. It’s a gut feeling that comes from deep down somewhere. I am humbled to see such a sight and to witness nature in its glory. Have I gotten that across to you?

Digital cameras – are there film ones left? – can still be fooled by a scene. They will under or over expose the scene in low light such as dawn. My trick is to meter down at the horizon. It lowers the exposure to enhance the rich orange and reds of the dawn sky. Pointing upward gives too little exposure. And the camera cannot focus. There are no sharp lines. So pointing the focus at the tree line gives an edge for the camera to focus. It is a matter of bending the camera software to your need. Meanwhile I did not have to waste time switching to manual mode.


Family outing. We had a tribe of deer on the golf course. I stopped, a biker stopped, and one other car was stopped. It was as though we had spotted moose in Maine! I got shots. The Sony RX100 has great telephoto. Close?! Yup! Very! And I got the whole family. Smile. Focus is soft. We were in low light at dusk. The deer were moving. I got a shot. It worked out. It was better than iPhone.


Early morning light is tricky for the camera. It tends to overexpose for the trees in shadow. And the camera has trouble finding focus in the clouds without a hard edge for contrast. Set the focus point in the tree edge and point the camera into the sky for getting the sky to be a little underexposed. The result is ok. The subtle color makes the shot. The sharp tree border makes things crisp. It works.


Green is a favorite color for Jules. Now, I know. But it seems I did not know when she had this green kale smoothie. I had not seen her since she moved to California. She’s more health conscious than I realized. When she ordered this drink it was not too appetizing to my eye. It looked more like medicine. Nope, not for me!

Shooting in a dim restaurant is a challenge. Hold still (camera). Don’t shake. Ha! Better lighting would have helped. Of course! But I was just grabbing a shot of the drink for posterity and this post.


Overwhelmed! I have a plethora of good shots! At least they are good by my standards. Much of it is all about being in the right place at that moment. Luck? Well, you do make some of your own opportunities. I was wandering the backroads of Maine… kind of lonesome, compensating for some itch. Fog! It’s hard to shoot. You never quite know what you will get. Luck! Skill!? Who knows? You might not even think much of this shot?! I do. I think it was a good almost great shot. It calls to me, as Colleen would say. Ethereal! Great! Fall. Fall color. Good exposure. Good detail. Good composition. Yes, a fine shot indeed.

So. I got the shot. Done? Do I need another fall shot. Are there others and can any top this one? I guess I will never stop shooting fall color. You never know what you will get. And the same shot will not come around again. Keep shooting. It’s almost fall, again.

No puffin

Brand spanking new! Nikon D200 body. I got it just to shoot the puffins. Ya gotta get up early to catch a ride on the boat going over. I got stopped by a short stubby state trooper on I-95 North. She stared at me with blank amusement and let me go after I explained I was after the birds. Nope! The boat never landed. No birds. The waves were too choppy to land.

And, the shot of the day? Dawn driving across Maine, I spied the sunrise and the fog in the valley. I stopped the car, shoot, and continued on my way. Little did I know of the splendid processing that digital camera body could do. I shot in the dark! It was so dark!! I could never have pulled off this shot with slide film. The auto setting just compensated and rewarded me with the shot of the day! No, nope, no birds. Alas! But dawn? This was almost worth the price of admission. Not quite and not by a long shot but it was partial compensation for my effort. The only thing that was harder to photograph during my time in Maine? Moose!! I chased moose sightings everywhere up and down the state. Nope, never, nada, except this one time….

Taxi … Pan


No technical info

Jennifer has done the same technique. Here the taxi is not quite in focus. The background is blurred. The taxi could be more inside the frame of the image but that is also editorial. In terms of the technical aspect, it’s a good try but not a ‘keeper.’ Someone else has done this and done it better. Still it’s a great effort from an amateur photographer.

Run… Pan


No technical info

Jennifer indicates that this is her attempt at panning. It’s a good one. The girl with the yellow hat is in focus while all around her the other elements are blurred. It’s a good way to isolate your subject from a confusing background. To do this one needs to use a slow shutter and move the camera with the direction of the subject’s movement. In this case left to right. If you are accurate, you will come up with something like this. You can also achieve this effect in Photoshop. But it’s more fun in camera.

Roller Coaster

No technical info.

Jennifer sent this. She did not take the photo. It raises a copyright thought. But since it is a universal disaster picture of the recent hurricane and there are probably a thousand generic images, copyright is not an issue. It might be so if it were a unique image that was instantly recognizable. Meanwhile it’s a roller coaster that is no more.



Technical: Nikon D90, 1.200 sec, f4, focal length 18

Well you can at least tell that this is a stormy day. The lighting belies the storm. I didn’t check but presume you used fill flash as usual. This helps the exposure. But it takes away the gloomy mood of an impending storm. It’s another decision you make as to whether to get a good exposure or to play to the mood of the day. With all those colorful clothes this would not have been a shot to convert to black and white.