Details

2371 08 MysticSometimes it’s not necessary to see the whole object. In this case the ship is a common shot. But focusing in on a detail of the structure would bring the viewers attention in a way that is unique. It can be the difference that makes the shot stand out. With digital it’s ok to get a wide view and close up. But I find that the zoomed in shots tend to hold more interest.

Wide Angle

2371 16 Mysticit’s an interesting shot. There are foreground elements and there’s the tall ship in the background. What’s disconcerting is the wide angle distortion. It looks like the tall ship is falling out of the picture toward the back. Somehow in a vertical picture the distortion seems more noticeable. But the shot does stop you for a second look. Here’s an instance where cropping can’t really save you. I like the colors, probably helped by a polarizing filter. I am still a sucker for that brilliant blue cloudless sky. Hey! I tried to get all the elements into the image. Not bad, but it could’ve been better.

Taxi … Pan

 

No technical info

Jennifer has done the same technique. Here the taxi is not quite in focus. The background is blurred. The taxi could be more inside the frame of the image but that is also editorial. In terms of the technical aspect, it’s a good try but not a ‘keeper.’ Someone else has done this and done it better. Still it’s a great effort from an amateur photographer.

Run… Pan

 

No technical info

Jennifer indicates that this is her attempt at panning. It’s a good one. The girl with the yellow hat is in focus while all around her the other elements are blurred. It’s a good way to isolate your subject from a confusing background. To do this one needs to use a slow shutter and move the camera with the direction of the subject’s movement. In this case left to right. If you are accurate, you will come up with something like this. You can also achieve this effect in Photoshop. But it’s more fun in camera.

Hurricane

 

Technical: Nikon D90, 1.200 sec, f4, focal length 18

Well you can at least tell that this is a stormy day. The lighting belies the storm. I didn’t check but presume you used fill flash as usual. This helps the exposure. But it takes away the gloomy mood of an impending storm. It’s another decision you make as to whether to get a good exposure or to play to the mood of the day. With all those colorful clothes this would not have been a shot to convert to black and white.

Stormy

Technical: Nikon D90, 1.200 sec, f4, focal length 18

Hurricane…not so close to the water as it looks! I like the light here…sand…white caps – Susan

Susan, it’s perspective. A photo is a 2D image and depth of field cannot be accurately gauged on a flat image. So yes, the waves looks closer and the effect is nice. There’s not much texture in the sky, but one can’t complain. You have a good shot of the kids. I presume the wind was not to fierce to be a danger.

Cacti

 

Technical: Canon DSLR

Jennifer went to the zoo and sent me some early edits of her trip. It was the San Diego zoo. I’m a sucker for deep blue sky. The cactus in the foreground is the main subject. The shadows are a problem. Once again the bright background sky is too much for the foreground shadows. It’s otherwise a nice graphical image. And yes, that bright blue sky….

Sky

 

‘Halloween Walk Night Just started to edit…liked the sky!’

Technical: Nikon D90, 1/30 sec, f4.2, focal length 36

Susan, you have mixed light at twilight. It’s a difficult time of day. You have incandescent light and you have sunlight. The sky is too bright so it overpowers the image. It is blown out. To lower the exposure for the sky you would lose the foreground into deep shadow. It’s beyond the capability of the image sensor. Here’s where you might shoot raw or you do a bracketed series of exposures and use HDR. I know that this is too technical. But there’s no practical way to make this image work in one shot. Aim to the left and let the bright sky go. Or move to the right and get a silhouette.

Fence

 

Technical: Nikon D90, 1/30 sec, f3.5, focal length 18

‘I like the fence framing but I did not focus well and it is blurred a bit!’

This is a shot that makes you pause for a sec. The round fence fools you for a second into believing that this is a fisheye lens effect. The door is nicely framed. It’s a technically okay shot. Susan, there needs to be a stronger image subject. The door… the statue? The fence is a nice touch to use as a frame for your image. You need a main subject. Once again the small f-stop does not give you enough depth of field to focus the fence and the door together. Here it’s not necessary to have the fence in focus.

Love

Technical: Nikon D90, 1/80 sec, f9, focal length 18

FARNSWORTH MUSEUM BRINGS LOVE TO ROCKLAND, ME

Susan emailed that she likes the play of the leaves’ shadows over the sculpture. Another recent news story about ‘love’ in Maine revolves around a one woman brothel run from a dance studio in southern Maine near to former President George Bush’s Maine compound. She shot video (of course) and the latest news is about who’s being ‘outed.’ This image is a lot more innocent. I actually like the vertical crop of this square sculpture. The subject is isolated and distracting background is kept to a minimum. The shadows do indeed add some interest. Good job Susan.